ARTIFICIAL JEWELLERY, ALSO KNOWN AS FASHION JEWELLERY. COSTUME JEWELLERY, OR IMITATION JEWELLERY, HAS BECOME A SIGNIFICANT PART OF THE GLOBAL FASHION INDUSTRY. IT REFERS TO JEWELLERY MADE FROM INEXPENSIVE MATERIALS
INSTEAD OF PRECIOUS METALS AND GEMSTONES. DESPITE BEING NON-PRECIOUS. ARTIFICIAL JEWELLERY HAS EARNED A VITAL PLACE IN THE HEARTS AND WARDROBES OF MILLIONS DUE TO ITS AFFORDABILITY, VARIETY. AND AESTHETIC APPEAL.
HISTORY AND EVOLUTION ARTIFICIAL JEWELLERY IS NOT A MODERN INVENTION. ITS ROOTS CAN BE TRACED BACK TO ANCIENT CIVILIZATIONS SUCH AS EGYPT. ROME, AND THE INDUS VALLEY. WHERE PEOPLE USED BONES, STONES, AND SHELLS TO ADORN THEMSELVES. IN EGYPT. FOR EXAMPLE. COLOURED GLASS WAS USED TO MIMIC PRECIOUS STONES IN NECKLACES AND RINGS WORN BY PHARAOHS AND
NOBLES. IN THE 18TH AND 19TH CENTURIES, WITH THE INDUSTRIAL REVOLUTION, JEWELLERY-MAKING BECAME MORE ACCESSIBLE. THE DEVELOPMENT OF NEW MANUFACTURING PROCESSES ALLOWED ARTISANS TO PRODUCE IMITATION JEWELLERY ON A LARGE SCALE. THE VICTORIAN ERA SAW THE RISE OF COSTUME JEWELLERY AS A TREND, WITH MATERIALS LIKE GLASS, STEEL, AND ENAMEL BEING USED TO CREATE INTRICATE DESIGNS. IN THE 20TH CENTURY, DESIGNERS SUCH AS C0Co CHANEL POPULARIZED ARTIFICIAL JEWELLERY BY PAIRING IT WITH HIGH FASHION, MAKING IT CHIC AND DESIRABLE. TYPES OF ARTIFICIAL JEWELLERY ARTIFICIAL JEWELLERY COMES IN COUNTLESS FORMS. SUITABLE FOR ALL OCCASIONS: EARRINGS: STUDS, HOOPS, DANGLERS, JHUMKAS, AND CHANDBALIS. NECKLACES: CHOKERS, LONG CHAINS, PENDANTS, BEADED DESIGNS. BRACELETS AND BANGLES: METAL BANGLES, CUFFS,
THREAD BRACELETS. RINGS: FASHION RINGS WITH CRYSTALS. ENAMEL-COATED.
OR MULTI-FINGER RINGS. ANKLETS AND TOE RINGS: OFTEN WORN IN INDIAN AND
SOUTHEAST ASIAN CULTURES. MAANG TIKKA, NOSE RINGS. AND WAIST CHAINS: POPULAR
IN TRADITIONAL AND BRIDAL WEAR. CULTURAL AND SOCIAL SIGNIFICANCE
ARTIFICIAL JEWELLERY PLAYS A SIGNIFICANT ROLE IN MANY CULTURES, ESPECIALLY IN COUNTRIES LIKE INDIA, PAKISTAN, BANGLADESH, AND NEPAL. IN THESE REGIONS. TRADITIONAL JEWELLERY IS CONSIDERED ESSENTIAL FOR CEREMONIES LIKE WEDDINGS, FESTIVALS, AND RELIGIOUS EVENTS. HOWEVER, DUE TO THE HIGH COST OF GOLD AND DIAMONDS. MANY PEOPLE OPT FOR ARTIFICIAL JEWELLERY THAT MIMICS
TRADITIONAL DESIGNS. FOR INSTANCE, INDIAN BRIDAL JEWELLERY SETS MADE OF
KUNDAN, MEENAKARI, OR POLKI DESIGNS ARE OFTEN REPLICATED IN ARTIFICIAL MATERIALS FOR AFFORDABILITY. THIS ALLOWS BRIDES FROM ALL ECONOMIC BACKGROUNDS TO ENJOY ELABORATE ORNAMENTS WITHOUT FINANCIAL
STRAIN. IN WESTERN COUNTRIES. ARTIFICIAL JEWELLERY IS MORE ASSOCIATED WITH FASHION THAN TRADITION. IT IS USED TO COMPLEMENT OUTFITS AND EXPRESS INDIVIDUAL STYLE. BRANDS LIKE H&M, ZARA, AND CLAIRE’S OFFER SEASONAL COLLECTIONS OF FASHION JEWELLERY TO ALIGN WITH CLOTHING TRENDS.
MATERIALS USED IN ARTIFICIAL JEWELLERY UNLIKE TRADITIONAL JEWELLERY MADE OF GOLD, SILVER. PLATINUM, DIAMONDS, OR OTHER PRECIOUS STONES. ARTIFICIAL JEWELLERY IS MADE USING A WIDE RANGE OF COST-EFFECTIVE MATERIALS. THESE INCLUDE: METALS: BRASS. COPPER, NICKEL. AND ALUMINIUM ARE
COMMONLY USED AS THE BASE METAL, OFTEN COATED WITH A THIN LAYER OF GOLD, SILVER. OR RHODIUM. PLASTICS AND ACRYLICS: LIGHTWEIGHT AND VERSATILE. THESE MATERIALS CAN BE MOULDED INTO VARIOUS SHAPES AND COLOURED EASILY. GLASS AND CRYSTALS: USED TO MIMIC DIAMONDS OR OTHER GEMSTONES. BRANDS LIKE SWAROVSKI HAVE MASTERED THE USE OF HIGH-QUALITY CRYSTALS. BEADS AND THREADS: THESE ARE OFTEN USED IN BOHEMIAN OR TRIBAL-STYLE JEWELLERY. CERAMICS AND RESINS: KNOWN FOR THEIR DURABILITY AND ARTISTIC DESIGNS. THESE MATERIALS ALLOW FOR A WIDE RANGE OF DESIGNS AND COLOURS, MAKING ARTIFICIAL JEWELLERY ADAPTABLE TO CHANGING TRENDS.